(Left) Howard Fried, Which Hunt?, 1972, Single-­‐channel video with sound, 38 min. Performance with 15 participants for videotape on May 25, 1972, San Francisco Art Institute, Courtesy the artist and The Box, Los Angeles. (Right) Howard Fried The First Prototype for a Clock of Commercial Significance, 1978 Photographs mounted on board, clock movement, painted clock hands, painted wood, and glass, Courtesy the artist and The Box, Los Angeles

(Right) John Roloff, Preliminary Study for Oculus: Dead Sea/Oil Field, 1989; Pencil, marker, watercolor, paper collage on gelatin silver print. Courtesy the artist and Anglim Gilbert Gallery, San Francisco

Mark Thompson, A House Divided, 1989 Live-­‐in hive apparatus, chair, wood, glass, bee netting, hardware, bottles, plastic tubing, brass valves

(Left) Mark Thompson, Resting Hand, 1976–1977, Photographic color label on glass jar, honey, shelf. (Right) Mark Thompson A House Divided, 1989 Interior view from the series of meditations of immersing my head within the honeybee hive, Chromogenic print

Organic Logic, Installation View

John Roloff, Black Orchid / Sea Trellis (for Ivy) / A Lava Atoll, 1984, Pencil on vellum. Courtesy the artist and Anglim Gilbert Gallery, San Francisco