This interview is adapted from a longer conversation that took place over the span of an hour. L: To commemorate 500 Capp Street’s Annual Auction, I want to take the opportunity to center your work as a critical interlocutor in the Bay Area conceptual art movement, alongside the legacy of Anne MacDonald. I’m interested to…
“If I had a prior vision, in Burma it all became a reality, and for me this trip really started there…There is some magic here and it can only be explained by some history of Devotion.”1 This is an excerpt from a letter David Ireland wrote to a friend while on his trip to South…
“It’s a state of touching the surrounding energy and I shudder.” Clarice Lispector, Agua Viva, 1973 To experience an object as art while aware of its memory, is to intensely experience it. There are places full of objects that touch, and, in return, fill you with the desire to touch back. There is a physical…
The average person will look at a work of art for 27.2 seconds.1 In this moment, what will they see, what do they think, what can they know? Let’s take a longer moment to look at a particular work of the artist David Ireland: a concrete painting from A Portion of: From the Year of Doing the…
Calling all David Ireland neighbors, colleagues, students, collaborators, family, and friends! This month marks 45 years since “The punch press was dragged away,” and David Ireland purchased his house at 500 Capp Street. On November 5, 1975, accordion maker and previous owner Paul Greub dragged his punch press out the front door, leaving a gouge…
“Delving means touching too deeply. Pressing your hand instead of using that lovely light flickering touch you just showed me. It sometimes happens unintentionally, when dream-givers become too interested in what they are touching. When they start to like it too much.” -Lois Lowry, Gossamer, 20061 There is a terrible heaviness of life in all…